O somma luce
HD中字播放源
剧集列表
影片信息
O somma luce
评分 4.0年份
2010
地区
法国
类型
剧情
导演
让-马里·斯特劳布
主演：Giorgio Passerone
简介： 转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub “The end of paradise on earth.”—Jean-Marie Straub The 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne. “O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty. In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD. So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone. During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema. The mise en scène of what words exactly? The process of revealing, “phainestai” “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye. Is “Straubie” Greece? This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich
相关推荐
2026
HD
爱情假说
莉莉·莱因哈特,汤姆·巴特曼,尼古拉斯·杜威内,阿尔蒂·佛鲁山,瑞秋·马什,吉妮安·古森,雅布其·杨-怀特,莉昂·马苏达,埃米莉·黎,亚历珊德拉·佩措恰克,阿迪·马吉,Kenny Wong,马里奥·达莱尔,劳拉·保利洛,劳拉·布坎南
2026
TC中字
卖冰淇淋的人
伊莱·罗斯,本·戴维斯,瑞恩·艾伦,洛克兰·雷·米勒,阿里·米伦,凯伦·克里奇,萨拉·阿伯特,罗德里戈·费尔南德斯-斯托尔,卡琳娜·巴特里克,达林·贝克,迪伦·霍科,亚历克斯·阿姆布鲁斯特,阿曼达·巴克,查理·斯托里,斯特菲·迪多梅尼坎托尼奥
2025
HD
是谁赐予我力量
崔智恩,申艺灿,黄雅莉
2026
HD
一击3
斯科特·阿金斯,史蒂芬·克里,汉娜·韦尔,杜夫·龙格尔,尼尔·林波,雷·费隆,汤姆·顿尼,米歇尔·库利尔,汤姆·利,杰克·特鲁曼,小杉健,索菲安·弗朗西斯,斯图尔特·亚历山大,格雷格·奥斯汀,Jessica Lee,Lois Baglin,吉尔·温特尼茨,Rhys Hayhurst,卡西迪·利特尔,吉姆·麦司奇门
2026
HD
八面埋伏2026
于伦豪,姚京妤,白楚彤,薛锋,任逍遥,任悦鸣,于嘉,周司贝芬,蔡同杰,张雨蒙
2025
HD
家有二爸
Martina Gatti,马提奥·奥利维提,玛格丽塔·布伊
2026
HD
一个部门的诞生
白只,麦沛东,梁雍婷,戴玉麒,廖子妤,谢君豪,鲍起静,谢咏欣,伍咏诗,邓月平,卢宛茵,彭栢然,黄智伟,苏宸褕,徐浩昌,徐伟栋,朱柏谦,毛晔颖,杨伟伦,张达伦
2023
HD
永生人
姜舒夏,安柱英,朴亮雨,舒雅